All posts by C. A. Weaver

Christopher Allan Weaver lives in Southern California. He is a technical editor by profession, and holds an A.S. degree in technical writing from North Shore Community College, Beverly, MA, and a B.A. degree in Organizational Management from the Master's University. Christopher is a former staff editor with California Institute of Technology onsite at NASA's Jet Propulsion Laboratory, Pasadena, CA, working as both employee and contractor for about 18 years. Currently, he is a website designer, administrator, and blogger for several California websites. Overall, Christopher has over 30 years of editing, documentation, photography and graphic design skills.

A Bright Light in the Desert


Lead image, illustration of girl with hair drawn as a forest
“Forest Girl,” watercolor on cold press

Somewhere in the high desert of Los Angeles County, Shellie Dial is creatively drawing and painting images. In the past year, she has roughed out novel pencil sketches, finished in various mediums, and has emerged as a promising artist along time-tested art genres with all the signs of a mature painter.

In December 4-9, 2020, Shellie showed her work at the Color Me Mine studio in Studio City of greater Los Angeles. The show was a success with some 30 attendees, refreshments, and entertainment by a local acoustic guitarist and vocalist. 

Photo of Shellie Dial’s artwork hanging on the wall inside the Color Me Mine studio.
Shellie Dial’s December show at Color Me Mine in Studio City, California. Photo: Chrissy Stone

In early February, Shellie began submitting her work to Instagram’s, “Birds of a Feather” Challenge. The Challenge is for artists to generate and upload images using a menu of 28 themes, a theme a day, throughout the month. Shellie completed “Backyard Birds” theme, Day 6 (left) in nine hours, from concept  to finish.  For Day 22, Shellie submitted “Spring Chicken” (upper right), completed in three hours.  More recently, Shellie was asked to a illustrate a book cover for The Best Breakup Line I Ever Got, A Young Widow’s Journey to Finding Love Again (lower right), by Teresa Schachtel, expected to be in print soon. 

Artimusi. How would you describe the artwork you do?
Shellie. All over the board. I don’t just have one style. My paintings are sometimes whimsical, sometimes more serious or illustrative. 

Artimusi. What tools do you use in your art from concept to finish?Shellie. I normally paint in watercolor; it’s my very favorite medium. However, I always begin with a pencil drawing. Sometimes I will use ink or pastel pencils also. 

Watercolor of a gnarly old tree with an eye-shape at pruning point
“The Seeing Tree,” watercolor on cold press

Artimusi. Who or what helped you the most to get to this point in your career?
Shellie. I was an art major and always thought I would have a career in art or photography. I was a portrait photographer and then ran a photo lab when I was younger, but ended up becoming a retail manager for a variety of stores and my art was mostly put aside for many years.

Watercolor side view of a big-eyed fish
“Gone Fishin,” watercolor
Whimsical illustration of a chicken dancing to radio music at sunrise
“Dancing Chicken at Sunrise,” pastel pencil

A friend, Melinda, challenged me to paint chickens and share them in text with her when the Pandemic lockdowns began last year. I finally had time, realized how much painting relaxed me, and decided to keep painting and relearn my art skills. 

Artimusi. Where do you do your artwork?
Shellie. At home. I often sit on the couch listening to a sermon or music or a movie while I paint. In the mornings I will work at my desk in my daughter’s room where the sunlight streams in. 

Whimsical illustration of a rotund mermaid playing a tiny guitar
“S-is-for-Selma,” watercolor on cold press

Artimusi. On average, do you create art daily, weekly, monthly?
Shellie. I try to draw or paint something every day. 

Artimusi. Do you sell your artwork? If so, how many pieces would you estimate have sold over the past five or ten years?
Shellie. I did not intend to sell any artwork when I began painting last May 2020, and gave away many to friends and family. However, I began getting lots of requests, and when my friend Dru asked me to do a gallery showing at her studio, I decided it might be time to offer prints for sale. Even with pandemic challenges, the show was very successful and I have continued to receive order requests since it happened in December. 

Watercolor of a beetle atop a flower
“Green Gold Flower Beetle,” watercolor and metallic ink on cold press

Artimusi. Do you have a pricing method, such as size, or are they generally custom? What is your average price? What is the highest priced item sold?
Shellie. I only sell prints so far and I keep my originals. I sell by the size, and will have a set pricing structure when I get my website up and running  very soon. 

Artimusi. Are you showing anywhere now or in the future?
Shellie. Once the lockdowns are completely lifted I will be doing another gallery event in Studio City.

Watercolor illustration of a lit oil lamp atop two books with a spilled salt shaker
“Salt and Light,” watercolor

Artimusi. What are your future, long-term art plans?
Shellie. I paint because it brings me joy and because I have found it brings joy to others. I want to use the talent God gave me and glorify Him with it.  

Artimusi. Is there anyone you would like to credit as a main supporter(s) of your artwork? 
Shellie. My husband is my main supporter. He encourages me constantly and that motivates me to keep going.

Edge-to-edge watercolor illustration of a succulent plant
“Purple Succulent,“ watercolor on hot press

Artimusi. Do you use a website to display your work, such as Zhibit, WordPress, or Facebook?
Shellie. Right now, my prints can be seen on Instagram A website is in process. I set up a Facebook page solely for my art at:

Artimusi. Our thanks to you, Shellie, for sharing your art, your time, and interview Q&A. We commend you to anyone interested in high-quality, hand-drawn illustrations. 

Portrait of Shellie Dial and Jeff Owens
Shellie Dial and Jeff Owens

Originally from New Mexico, Shellie and her husband, Jeff Owens (left), married in 2014 and moved to Palmdale in Los Angeles County, California. She also has a natural eye for desert photography. Both enjoy preparing and cooking speciality foods. 

Contact Shellie via email:


Deep Woods Artist

Monson, Maine. from “Maine on the Way,” by @northwoodsaerial

Roberta Jarvis‘ art mediums and ideas have varied over the years. Nothing unusual there. Lately, however, her experiments are more radical with a few new and exciting works. In a recent Thanksgiving trip to New England, I got together with her and husband Bob Jarvis. She and Bob have been living Monson, Maine (shown), pop. 686, deep in the Moosehead Lakes Region for about 20 years. Bob is a Bible teacher and former pastor of Cape Ann Bible Church, Gloucester, Massachusetts. He is currently preaching at Greenville Church of the Open Bible, Greenville, Maine.

Earlier work of trees (typical)

Roberta has served as pastor’s wife and music support at these churches, but is lately finding more time to experiment with her artwork which seems to have made a maturity leap over the past couple years. In particular, Roberta is using spatial techniques learned long ago from her art school days, specifically the use of fewer objects and incorporating more non-objective elements. This gives her art a greater sense of freedom and a bright, new color expression, breaking aways from darker views. Roberta is a BFA graduate of the Montserrat College of Art, Beverly, Massachusetts, and formally trained for six years in art history, drawing, painting, graphic design, illustration, realism, and non-objective art techniques.

Artimusi. How would you describe the artwork you do?
Roberta. If one needs a word—Expressionist Landscapes. Tree, branches and patterns, mainly because I live in the woods. Often familiar shapes—people, animals, food. 

Artimusi. What tools do you use in your art from concept to finish?
Roberta. Paint brush, canvas or wood, Masonite, paper, wool, ink, watercolor, casein, oils, and all the different mediums that go with these products. I may draw an idea for a painting on anything from an index card to a piece of Strathmore.

“Sides: Fresh-picked Fiddleheads with Salted Vinegar,” 20”x16,” Oil

A frame finishes the painting. I’ve learned to get any painting, that I’d hang in my own home, professionally framed. If I could afford a fancy frame, I’d get one. I’ve undersold many a painting because of cheap frames. It’s not worth it now. I’ve a lot of unfinished pieces and a lot on paper.

Artimusi. Who or what helped you the most to get to this point in your career?
Roberta. My son, Allan, daughter Rebecca, and husband, Bob. Their encouragement kept and still keeps me from giving up.

Artimusi. Where do you do your artwork?
Roberta. In my home studio. I typically use watercolors and inks in winter; in warmer weather, oils and/or acrylics.

“Sides: Pickled Fiddleheads,” 20”x16,” Oil

Artimusi. On average, do you create art daily, weekly, monthly?
Roberta. In my senior years, I create art daily. 

Artimusi. Do you sell your artwork?
Roberta. Yes.

Artimusi. How many pieces would you estimate have sold over the past five or ten years? 
Roberta. I’ve sold hundreds of artworks and have had repeat customers/clients. 

Early version “Sides: Pickled Fiddleheads,” 20”x16,” Oil.”

Artimusi. What is the highest-priced item sold?
Roberta. I sold a personal painting to renowned collector/author, Jerry Weist. The painting was mixed media on student-grade Strathmore paper, 22”x28,” framed for $1200.00. 

Artimusi. Do you use a website to display your work, such as  Zhibit, WordPress, or Facebook?
Roberta. Occasionally I will post a new work on Facebook. 

Artimusi. Are you a member of any art associations?
Roberta. Not at this time.

Artimusi. Are you also a musician?
Roberta. I sing and play a 12-string guitar. If the mood and songs are right, I sometimes switch off to the harmonica.

Artimusi. How would you characterize your music?
Roberta. Most would say folk music. I like most any music if it’s simple, stirring, and singable, and have words that inspire me.


Artimusi. Do you play anywhere?
Roberta. Yes. My primary and favorite place to play is church since all my motivation for even learning the guitar or raising my voice in private or public was in my direct response to God in worship.

Outside of the church, I participate with small groups of acoustic musicians in jam sessions. Out of these sessions, small groups spin off to a fair, fundraiser, funeral.

Artimusi. What are your future, long-term plans?
Roberta. Survival. It stands to reason that God has given us life, allowing ways for us all to survive this life in countless measures.

Merry Christmas and Happy New Year to Roberta and Bob in 2021!

Roberta and Bob Jarvis

From now through February 2021, you can catch Bob Sunday mornings via Facebook Live. Just search and follow services at Church of the Open Bible, Greenville, Maine. You might hear Roberta singing, too. For art, music, and preaching inquiries, call (207) 997-3244.

Illogical | Illusion Exhibition begins tomorrow

Abstract painting
“The Neighborhood,” oil on canvas, 11″x14″, signed, framed.

“The Neighborhood” will be unveiled for its first showing at The Atrium Gallery, Ventura, CA, at the Illogical | Illusion Exhibition tomorrow 8am-5pm, Fri, July 12th—Tue, August 20th 2019.  Sixteen or more other artists are scheduled to be showing using this theme.

“Please view Illogical | Illusion as your opportunity to broadly challenge the viewer through manipulation of elements in the picture plane, intriguing composition, content or process and bold choices”  — Ventura County Arts Council.

“The Neighborhood” was conceived in imagination using the fertile class notes of my non-objective teacher, the late Paul M. Scott, himself a student of legendary abstract-expressionist, Hans Hoffman.

“As reality and abstractions intersect, and colors mix on the canvas, the painting begins to take shape, but is transformed into a new work. Specific techniques toward spatial, mostly non‐objective elements are introduced. While things can get a little chaotic, I know the painting will be successful when all the elements work together” — C.W.

“The Neighborhood” was a two-month project, spanning May 3 thru July 8, 2019.  Price is set for $1500.

Reception & Awards Ceremony

The Atrium Gallery
The Atrium Gallery

I invite you to join me and the other exhibition artists for a reception at The Atrium Gallery on  Friday, July 26, 2019, 5:30 – 7:00pm, Ventura County Gvt Ctr, Hall of Administration, 800 S. Victoria Avenue, Ventura, CA. Cash prizes will be awarded and refreshments provided.

Map to the Atrium Gallery
Map to The Atrium Gallery, Ventura County Government Center, Hall of Administration, 800 S. Victoria Avenue, Ventura, CA
Viewing Hours: Mon. – Fri. 8:00 am – 5:00